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* Ebook Download Songs from Bialik: Selected Poems of Hayim Nahman Bialik (Judaic Traditions in Literature, Music, and Art), by Atar Hadari

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Songs from Bialik: Selected Poems of Hayim Nahman Bialik (Judaic Traditions in Literature, Music, and Art), by Atar Hadari

Songs from Bialik: Selected Poems of Hayim Nahman Bialik (Judaic Traditions in Literature, Music, and Art), by Atar Hadari



Songs from Bialik: Selected Poems of Hayim Nahman Bialik (Judaic Traditions in Literature, Music, and Art), by Atar Hadari

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Songs from Bialik: Selected Poems of Hayim Nahman Bialik (Judaic Traditions in Literature, Music, and Art), by Atar Hadari

Hayim Nahman Bialik is considered by many to be one of the greatest Hebrew poets of modern times. This volume presents translations of a selection of his work.

  • Sales Rank: #1777335 in Books
  • Brand: Brand: Syracuse Univ Pr (Sd)
  • Published on: 2000-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .64" w x 6.04" l, .70 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
After My Death
Alone
And It Came To Pass (from The Visions Of The Latter-day Prophets)
And Whoever He Be Who Comes After
At Close Of Day
Be To Me Once More A Shelter
Before The Book Closet
Between The River Prat And Stream Hidkel
Butterfly
Call For The Snakes
City Of The Killings
The Conductor Of The Dance
Dusk
Even In His Revelation To Your Eyes
A Faithful Tear
God Did Not Show
A Golden Carriage
Graveyard
Her Eyes
The Hungry Eyes
I Knew In A Night Of Fog
I Sowed To The Wind My Sigh
I Was Not Given Light
I've A Garden
If Satan...
If The Angel Asks
If There Comes A Day When You Shall Find
In False Promises Don't Trust
In Me There Nest Snakes And Adders
Indeed This People Is Grass
It Was A Summer Night
King David's Tomb
A Little Note
Midnight Prayer
My Father
My Mother, Her Memory Be Blessed
My Peacock Of Gold
My Soul Blows
A New Way
Night Thoughts
Nobody Knew Who She Was
Not In The Day Nor In The Night
On A Day Of Summer, Hot Day
On The Morning Star
On The Slaughter
On Your Heart That's Barren
One By One And With No One Seeing
One Distant Star
One Finds Dinars
One Has A Precious Stone
One, Two
Only One Ray
Outside The Countenance Of God
A Penny, A Penny
The Pool
Prophet, Go Flee!
Ring Ring
The Scroll Of Fire 1
The Scroll Of Fire 2
The Scroll Of Fire 3
The Scroll Of Fire 4
The Scroll Of Fire 5
The Scroll Of Fire 6
The Scroll Of Fire 7
The Scroll Of Fire 8
The Scroll Of Fire 9
The Sea Of Silence
Secrets Of Night
Sometimes The Heart
Songs Of Winter 1
Songs Of Winter 2
Songs Of Winter 3
Songs Of Winter 4
Songs Of Winter 5
Speech
Stand Strong, Wall Of Sorrow
Stars Wink And Go Out
Summer Is Waning
Take Me In Under Your Wing
The Tear Drop Dropped
That I Could Be One Of You
They Are Shaking Themselves Off From Dust
They Are Shaking Themselves Off From Dust 2
To The Legend
To Your Hidden Way
Tonight I Lurked
A Twig Fell
When I Return
Where Are You
Who Am I And What Am I
With The Last Red Dregs Of Sunset
Yesterday's Stems
You Are Going From Me
Your Breath Passed Upon My Face
Your Two Eyes
[untitled]
-- Table of Poems from Poem Finder®

Most helpful customer reviews

1 of 1 people found the following review helpful.
Get Yours
By Barry B.
Here's a book of poetry by one of Israel's greatest poets. Some csll him the Shakespeare of Israel. I think that may go too far, but his poetry goes back a long way. Catch up with a one-of-a-kind.

12 of 12 people found the following review helpful.
spirited
By Orrin C. Judd
Loathe as I am to admit it now that I do know, I have to say that I'd never heard of Hayim Nahman Bialik until Mr. Hadari contacted us. Nor, I suspect, have many of you. This is an injustice, one that Mr. Hadari's translations can hopefully help to right.
Hayim (or Chaim) Nahman Bialik is considered the national poet of Israel, even though he died before the state was founded. He is also considered one of the greatest Hebrew poets ever. In fact, one of his achievements was to restore Hebrew as the language of Jewish poetry, rather than the Yiddish that had become more common. Bialik was born in Radi, Russia, and was raised there and in Zhitomir, by a scholarly father and, upon his father's death, by a stern and scholarly grandfather. Upon reaching adulthood he lived off and on in Odessa which, unlike other Russian cities which forbade them, had a sizable population of Jews (including fellow writers like Isaac Babel, Ze'ev Jabotinsky, and Ahad Ha'am, a Zionist who was one of Bialik's mentors). Bialik worked in business, as a teacher, as an editor, and finally as a publisher. He traveled in Europe and to what was then Palestine. After the Communist Revolution in Russia, when he came under suspicion for his writings, Bialik moved first to Germany and then to Tel Aviv where he was buried after dying in Vienna following an operation in 1934. Over the course of his career he translated Jewish folk tales, wrote Zionist essays and wrote his own poems (though not many after 1916). It was these last that made his name. And it was one specific poem that made him a central figure in the history of Zionism.
Living in Czarist Russia, he witnessed at first hand the brutal treatment of the Jewish people. In particular, he visited the city of Kishinev (modern day Chisinau, Moldova) after the 1903 pogrom in which 50 Jews were murdered.Ê Fueled by anger both at what had been done and at the inadequacy of Jewish response, he wrote his greatest poem, the one with which Mr. Hadari begins the collection : City of the Killings (1903). I wish I could find the whole thing on-line because it's unbelievably powerful...
From his own comments in the Translator's Note and from Dan Miron's Introduction, it sounds like Mr. Hadari has focussed more on capturing the spirit and the rhythms of the poems, than trying to artificially preserve exact rhymes and wordings :
"If a poem is mostly words--and fancy words at that--there's precious little there. What I look for is attack, as Derek Walcott would put it-- it's not enough to know what the word means, though that helps; one needs to also get a sense of the spin on the word--so that if I take liberties with the translation, to take the necessary liberty of translation that results in the flight of the new poem, I must have a sense of the bias of the material; as may be the case in the treatment by the novelist of historical material, or indeed the treatment by a historian of that same material--he uses historical material but it's the bias of his treatment that's interesting, just like the historian's choice of facts determining the portrait; so with the poem, if the feeling charging the words is absent, if the feeling in fact doesn't overwhelm the language, like a current making the touch of the actual line dangerous, there's no poem to prepare--no song that can be rephrased in English; the translator is, finally a harmonizer with the lead vocal; in the prime moments he is reproducing the singer, in the same key, with variations, in another language. That is the problem, to find the same rhythms, near the same sense, and with the right emotional current. If there's no current, how can you possibly begin to raise your voice? Let alone if the words resist comprehension, and the rhythm stutters. "
Not knowing the originals, nor any Hebrew, I've no idea how successful he's been in this task, but I do know that Mr. Hadari's translations tap into a rich emotional current and get you to raise your voice. Whether or not it's precisely Bialik's spirit, they're certainly spirited. Mr. Hadari's done a great service by making the poetry of Bialik accessible to the wider audience the great poet deserves.

6 of 9 people found the following review helpful.
Embarassment
By Gilead Jacobson
Bialik was a great poet.

Don't let Atar's biased view of him take over. Bialik had, indeed, many earthly and vulgar sides. But that is a very partial picture of the man. He was a great scholar of Jewish studies, and the language of his poetry hints often to Biblical, Talmudic and other Jewish texts. Actually, one of his life-long endeavours was the collection of Midrashim (Haggadic expositions) from all Hebrew literature.

Atar states (after giving himself 5 stars...), that previous translations regarded his poetry as "rather more holy than anyone might healthily be in life and more so than might be healthy for keeping their verse alive after their death.". True perhaps, but Hadari's credo seems to be: make it shallow, flat and linguistically simplistic (not to say artistically dull) so that a beer-holding, MTV watching dude could appreciate it.

In many senses, the book title is correct. Hadari seems to be creating songs, not poems, from (in the sense of having some vague relations to) Bialik.

To all those interested in Bialik's poetry, I urge you to compare the translation of one favourite poem with another translation.

See all 4 customer reviews...

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