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From dominant performers such as Jackie Gleason and Carol Burnett to powerhouse producers such as Norman Lear and Steven Bocho, Prime Time, Prime Movers reviews the stories and styles of the most important architects of the airwaves.
- Sales Rank: #2589000 in Books
- Brand: Brand: Syracuse Univ Pr (Sd)
- Published on: 1995-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x .81" w x 6.17" l, 1.12 pounds
- Binding: Paperback
- 340 pages
- Used Book in Good Condition
From the Back Cover
Television is the most maligned of the modern media. Critics and even viewers casually call it the "boob tube" or the "idiot box" or even "bubble gum for the eyes". But in the hands of certain individuals it can become a creative canvas, a dramatic art that opens a distinctive window on our culture. There is a growing argument--an auteur theory--that despite all the commercial constraints, the television producer is capable of using TV as a medium of personal expression. Prime Time, Prime Movers is an entertaining and informative guide to the major creators of televisual art who have emerged over the past forty-five years. From dominant performers such as Jackie Gleason and Carol Burnett to powerhouse producers such as Norman Lear and Steven Bochco, it reviews the stories and styles of the most important architects of the airwaves. Milton Berle brought a "hellzapoppin'" vaudeville aesthetic to TV. Gleason used it as an autobiographical medium. Red Skelton was the classic clown from the heartland. Paul Henning, who created, wrote, and produced The Beverly Hillbillies, was himself a kid from Missouri who grew up to become a millionaire in Los Angeles. Norman Lear modeled Archie Bunker after his own cantankerous father. Steven Bochco productions, such as Hill Street Blues and L.A. Law, made TV watching respectable for yuppies. Authors David Marc and Robert J. Thompson are the most outspoken proponents of the auteur argument. Covering a broad spectrum of TV programming formats, from old-time variety shows to sitcoms, from action/adventure shows to documentaries, from gameshows to soap operas, they challenge the tastes and interests of television viewers--a group roughly equivalent to theAmerican population at large.
About the Author
David Marc is a writer and editor who teaches at Syracuse University and Le Moyne College. He is the author of "Demographic Vist"as (1984; 1996), "Comic Visions" (1989; Blackwell, 1997) and "Bonfire of the Humanities" (1995).
Robert J. Thompson is a Professor at Syracuse University, where he heads the Center for the Study of Popular Television at the S. I. Newhouse School of Public Communications. His books include "Adventures on Prime Time" (1990) and "Television's Second Golden Age" (1996).
ROBERT J. THOMPSON is an Associate Professor at the State University of New York, at Cortland.
Most helpful customer reviews
1 of 4 people found the following review helpful.
Simply marvelous! Now I understand why I loved I love Lucy.
By A Customer
It was like remembering my childhood all over again. If Robert Thompson could only explain the love for the Three Stooges
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