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This resource presents biographies of American women in the performing arts from the 19th century onwards. There are 150 entries profiling film, stage and TV actresses; dancers; musicians; opera stars; and performance artists. Each entry emphasizes the woman's contributions as an artist.
- Sales Rank: #3828927 in Books
- Brand: Brand: Facts on File
- Published on: 2001-11
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 7.25" w x .75" l, 1.56 pounds
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
From Library Journal
Sonneborn (A to Z of Native American Women) prepared this new A-to-Z reference to "provide an introduction to 150 performers, selected as representatives of the wide range of experience women have had in the American entertainment industry." In addition, she aimed to cover as wide a time frame and as many professions as possible. While the book itself is somewhat slight, the individual entries are never fewer than two columns and are frequently longer; the length of each entry varies according to the length and relative importance of a given performer's career. The entries include listings of recommended recorded and videotaped performances, often contain photographs, and conclude with short (one- or two-title) bibliographies. As with any listing of this nature, disagreement will quickly erupt over who was and was not included. This work is heavily weighted toward film actresses, with lesser representation of singers, musicians, and theater actresses. Examples from the silver screen include Lauren Bacall, Hattie McDaniel, Ida Lupino, and Judy Garland; contemporary modern actresses include Meryl Streep, Jodie Foster, and Julia Roberts. Singers of all types of music from opera to blues, jazz, and country are represented, among them Aretha Franklin, Florence Mills, Marian Anderson, Joni Mitchell, Jessye Norman, Patti Smith, and Etta James. The least covered group are dancers (with entries on Martha Graham, Josephine Baker, and Marie Tallchief), musicians, and other types of performers. The lively, engaging style is perfectly suited to the report-writing, source-seeking student as well as to the casual reader who wants some, but not too much, information. Highly recommended for public and school libraries. J. Sara Paulk, Coastal Plain Reg. Lib., Tifton, GA
Copyright 2002 Cahners Business Information, Inc.
From Booklist
Facts On File's compendium of biographies of 150 American female performers packs a wealth of data into compact form. Pleasingly presented in clean typeface and illustrated with a sprinkling of photos, the book is easy to use. Choice of entries is multicultural and multinational, including Latina dancer Rita Moreno, Osage ballerina Maria Tallchief, Canadian singer and actress Eva Tanguay, and Chinese American actress Anna May Wong. The selection of entries rightly includes foreign-born women like Ingrid Bergman, Audrey Hepburn, and Elizabeth Taylor who anchored their careers in the U.S. The book considers performing arts broadly, even reaching out to rodeo for famed Wild West shooter Annie Oakley.
The writing style is simple, yet thorough. Introducing each entry are alternate names (e.g., Frances Anne Butler for Fanny Kemble), birth and death dates, and talents (e.g., Moms Mabley is described as "Comic, Actress"). Entries conclude with suggested biographies and periodical interviews and articles as well as recommended recorded performances, such as the video version of Sophie's Choice, a screen vehicle for Meryl Streep. Rounding out the text are a two-page list of sources, most composed after 1990; a list of entries by metier; a separate list of entries by birth date, ranging from 1800 to 1969; and a meticulous index by name and subject.
Overall, the balance tilts toward actresses. The author omits some memorable stars, notably orchestral conductor Sarah Caldwell, pioneer TV comics Imogene Coca and Harriet Nelson, lead Mouseketeer Annette Funicello, ballerina Gelsey Kirkland, top USO performer Martha Raye, and Metropolitan Opera stars Rise Stevens and Kathleen Battle, two of many opera greats passed over in favor of popular personalities rather than major talents.
Despite these omissions, the book is an engaging text well suited to junior-high, high-school, and public libraries. RBB
Copyright © American Library Association. All rights reserved
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